Okay... so as every single one of you will definitely know, this week involved me taking photos of an actual person - something very different to what you've all been getting used to.
They can (almost) all be viewed HERE.
They can (almost) all be viewed HERE.
Overall, this is probably going to be my longest post ever - so I won't blame any of you if you just skip through and look at the pictures... I probably would...
This all came about from my 100 Strangers project, on a trip to York I spotted a girl eating an ice cream who, even whilst clearly busy with said ice cream, was kind enough to let me take her portrait. The resulting photograph was Stranger No.42. After getting home and uploading I had seen that I had a new fan so had a look at their profile pictures to determine whether this was my stranger, and much to my surprise, I came across a different picture I had recently seen on 500px. Not only was this my stranger, but I had seen my stranger before in a photo by a photographer from London (see if you can find her... HERE). I still can't quite believe this myself - a girl from Russia, who did some modelling in London, whose pictures made it to my screen days earlier, who then lived in York, before finally walking down that street and onto my camera sensor... I need a statistician to try and figure out some likelihoods here...
Over the next couple of weeks, much was discussed and it was decided we would try and do a shoot in York with a very summery feel. Little did we know at this point that summer would decide to completely desert us this year. At least this gave us time to thoroughly plan everything we possibly could... styles/lighting options/accessories/locations... This was definitely an advantage for me considering I'd never done anything like this before, and it was only Xenia's 4th shoot - it was good to spend hour after hour simply looking at good photos, listing what I like and dislike about them, learning which poses work, etc.
So, finally, last Monday we got some sun so the night before we arranged to do it then...
Part of what we were aiming for was that snapshotty style, with a lot of flare and loss of contrast - and to not be too careful with composition. A really shallow depth of field for foreground objects also seemed to be popular in this style - so I ended up just sticking with my 50mm 1.8 - and for the whole shoot used it wide open with no lens hood. One of the first shots was this one, which is quite possibly my favourite... (so what if not snapshotty... the rim light couldn't be better and I like the symmetry... this set me up for much more symmetry later on)